It wasn't until the singer plunged into her grab bag of hits ("The Look of
Love," "Son of a Preacher Man" etc.) that much of the less-than-capacity
audience comprehended the magnitude and pervasiveness of Springfield's
contribution to pop music over the past decade-and-a-half; but as if to
dispel charges of antiquanarianism the singer chose to open her
presentation with a recent hit (not hers), "At Midnight." Though there were
already many Springfield aficionados at the Greek, clearly a great many
others were won over to her Ben Webster-ish scoop-de-doop vibrato.
Utilizing a 14-piece back-up crew, she sveltely strutted and karate-chopped
her way through this one in a manner totally unlike the way she might've
during the good old days when she was the No. 1 female British
pop/rocker.
Dusty launched a consciousness-raising hit medley which included, among others,
"Wishin' and Hopin'" and "You Don't Have To Say You Love Me." Also offered
up were a few items from the widely acclaimed 1969 album, Dusty in Memphis
-- her last effort before an inexplicable mid-career recording sales slump
began to plague her in a manner somewhat akin to soul man Al Green's fall
from public favor. But Dusty is definitely of the moment, and so the real
crowd pleaser was her last (but one) encore, a heavily de-saccharinized
re-tooling of the top-billed Allen's, "Quiet Please, There's A Lady On
Stage."
If headliner Peter Allen is your cup of musical meat, he too woulda' knocked
your socks off Friday; but his real contribution was the smashing
welcome-back Dusty party thrown that night.
Bill Reed
Los Angeles Herald Examiner, August 25, 1980